I want to work with great directors. I've picked films based on the script or the character and seen them collapse because the directors were not strong visionaries.
I have to be fully committed to do a project nowadays, because if I say yes to something, it means the whole family are going to have to move for the job. It's a lot of upheaval. So, it has to be really worth it. Otherwise, I'd just as well not bother.
For me, I can't watch violence when it's too grotesque, and it's just like, that's revolting to watch. I don't enjoy it. But when it's a Tarantino film, I'm lining up outside the door to see it, and I'm expecting to see something really crazy, a lot of blood, and for it to be funny.
I did swimming, gymnastics, dance, and the acting was just a small part. I didn't have pushy parents; it wasn't forced upon me. They just said, 'See if you like it. If you do, great; if you don't, don't worry about it.' I was really fortunate to have that guidance and supportive parents.
'Pulp Fiction' was probably one of the first films I ever saw that really kind of took effect on me. I was about four years old - obviously wasn't supposed to be seeing that film; my sister kind of sneaked it out and we got to see it. She's older than me. That was something I always used to watch.
I don't like to be me. I'm not so comfortable being me on screen because then I'd be a presenter. I'm not Jimmy Fallon.
