I would like to work with challenging material. A challenge is good. If it's good material; it's a challenge.
I think where it's going is toward what the music industry is like, where channels will be considered more like labels that carry the type of TV show that you like, and then you'll consume them however you can. For example, I don't really watch Showtime, but I bought 'Homeland,' and I've been watching every episode on my iPad.
I have one. I may get another during the off-season, I might get my son's name but I'm not sure yet. The one I have is my Hebrew name, which I share with my grandfather, and it's not the best tattoo.
Eventually I got the call for 'Iron Man,' and I read sides that had nothing to do with what I did in the movie, and I performed it once while no one was in the room - it was videotaped, and I'm sure Shane Black was watching it from his helicopter or something. And then I got a call the next day that I was going down to shoot it.
Anytime I audition for something, it's always a question of whether or not the people I'm auditioning for understand I'm an improviser and I like to do that, and if they like that or if they just want someone who's going to do what's written.
I've bombed on stage millions and millions of times. And that's part of it. You go up with a half-baked idea, and you bomb, and so what? Nothing bad happens if you bomb.
