Often times people complain about the lack of time in television, but I have to say, you don't have any more time to film in feature films then you do in television. It's just a question of how many scenes you'll be doing in the course of a day.
So I think what you see in this show is it's really not a just world at all, but you get what you give. So in terms of world view, I would say that's where the differences lie.
You can't separate the phenomenal birth of unionism in the United States of America from the Pullman porters. This same small group of men, who grew to be 10,000 strong, was also the organizational foundation for the civil rights movement and all of the gains that were made in the '40s and the '50s. That, and the black church.
Unfortunately, in television today there are very few African-American characters who are human beings. They are typically two-dimensional stereotypes, cookie-cutter types.
I've committed myself to perfecting the art of the straight man. I try really hard not to crack up.
I worked with people I admire; Josh Lucas, who I'd worked with many many years ago on a pilot called The Class of 61 and Kurt Russell, and so there were a variety of different people that I enjoyed working with.
