I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.
I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another.
It's frightening and unnerving to watch a stone melt.
The stones tear like flesh, rather than breaking. Although what happens is violent, it is a violence that is in stone. A tear is more unnerving than a break.
I enjoy working in a quiet and subversive way.
I have walked around the same streets so many times, and then seen a place that had been hidden to me. I now know the sites in a way that makes me think I could have made better use of the connections between place and snowball.
