It has been a pleasure to play with all these artists. Pretenders was a real highlight, but also Damon, aka Badly Drawn Boy, Sinead... Ian Brown... all of these people I learn from and love to work with.
Back in the days of the Smiths, when we first started touring England - this is, like, 1984 - there were these two girls. They were literally vicar's daughters, and they used to follow us to every gig, no matter where we went.
It was strange: I never had an interest in school because from an early age I knew the only thing I wanted to do was to play music! So I didn't feel so bad not going into school when I was supposed to be there - why do I need Latin, geography, physical education, etc., and to get beaten on a daily basis?
With Freebass, there were no rules, really. It was all rather chaotic. Obviously, Hooky was playing the high end stuff, which he always does; Mani was doing the bottom end, and I thought I'd go midway and meet everyone in the middle.
I had learned classical guitar when I was a kid, and I embraced it, and apparently I got good at it.
When I started playing the bass, I became kind of fascinated by it and started investigating various styles of bass playing, and I was really struck with funk music, mainly American funk music - Stanley Clarke, Funkadelic and that kind of stuff. That comes out in a couple of songs like 'Barbarism Begins at Home.'
