I like SF environments that seem used, and lived in, every day; not just rolled off a props truck. Look around you! Everything is scuffed, scratched, dinged, faded, even rusty.
The general public has been conditioned to think 'comics = superheroes' for as long as caped crusaders have been around - by critics, mass media, and Marvel and DC themselves, who have what you might call a vested interest.
A 300pp novel can easily become a 200pp novel by printing with smaller type; a 100pp screenplay can potentially become a film of between 60-140 minutes in length; a 200pp stage play could be performed in anything from 30 minutes to four hours. For all these media, the script length is agnostic to the final work.
Quite simply, we're re-telling the very first adventures of 'Daredevil', as originally seen in DD #1-6, but in a modern style and setting - being faithful without being slavish. And I'm using those adventures as a framework to delve into Matt's psyche a little, as he learns to become a hero.
Scrivener can be a tricky beast to get your head around. When you do, a bell rings, and suddenly it all seems perfectly clear. But to reach that stage you have to understand what it can do, and try it out for yourself. Which can be daunting.
The Fuse is a solar energy station in orbit 22,000 miles above the earth. But it's more than just a big solar panel array. The Fuse is also home to Midway City, a technically illegal settlement that grew out of a bunch of engineers who decided they'd rather make a new life in space than return home to earth.
