'Peter Pan' is a beloved property. It's a property that was brought to the screen many, many times before, so one has to not only justify the reasons why one might make a 'Peter Pan' movie in 2018, 2019 or whatever, but you also have to do justice to the source material.
The first movie I ever saw in the cinema was Walt Disney's 'Pinocchio,' upon its 1984 re-release, which would have put me at three years old.
With any movie that gets remade, whether I like the remake or not, I'm glad that I can still go watch the original that I love. If the remake is offering something different, I really value that because I'm having a new experience and adding something new to my life.
I have a repository of titles I like in my head, and I am always looking for a movie that I can put one on.
I don't think I'm the best screenwriter in the world. It's just important to me to write my movies so I'm personally invested in them.
I have a very short attention span, which is funny. I mean, you'd watch me and think that I don't, but I actually do.
I love dialogue, but I'm also terrified of it. In all my movies, I've done my best to cut out as much dialogue as possible. I love the spaces in those silences. Even in 'Pete's Dragon,' I was so happy that the first twenty minutes have about five or six lines of dialogue.
When I was a kid, Santa, the Tooth Fairy, my stuffed animals - they were real. There is the tremendous suspension of disbelief that you have as a child. It's harder as an adult.
I grew up in a deeply Catholic home. Our parents always encouraged us to march to our own drums, though, so some of us are still Catholic and some are not. That's always going to be a part of me though; little bits of it trickle into my work. Whether it's an embrace or a rejection, I'm not always sure, but I can't avoid it.
When you have a lot going on in a scene - whether it be a lot of shots, a lot of coverage, a lot of edits, or just the amount of content - it can cover up a deficit of true feeling. But when you don't have a lot of material to work with, you really have to be sincere with everything. You really have to mean it, because there's nowhere to hide.
You always want your movies to reach the widest audience possible.