When I was trying to get into acting, to have been a model was about as low as you could get in the acting profession. But that wasn't sexism, it was snobbery, which I knew and took very humbly.
There is something so quiet and so industrious, something so Viking about the Scots.
I was 21 and had been going out with my boyfriend for two years when I found out I was pregnant - despite being told by doctors that I was sterile. Jamie's father and I hadn't discussed marriage, and to me, it wasn't something to be entered into just to stop gossip.
The maddening thing is as actors of either sex, we get better as we get older, and so when you are 65, you think, 'I could play Juliet now. I understand it.'
I do not like bad photographs. I don't like to be badly lit. There is a fashion, particularly on stage, for very 'toppy' lighting, which makes a child look 50. Ten o'clock is very good. If someone is taking a picture, you say, 'Lamps at 10 o'clock,' then everybody looks lovely.
I think laptops should be banned from schools. Until you can prove you can add up on your fingers or think independently in your head, you have learnt nothing.
In Kenya you've got the great birds and monkeys leaping through the trees overhead. It's a chance to remember what the world is really like.
I was involved with the landmines before the Princess of Wales, and nobody gave a damn about people losing their limbs. It only became a success when she came along.
Oh, I'm not beautiful. I can look beautiful; I can put beauty on. When I'm tired, I look bloody awful. I think I'm turning into the actress from 'Dynasty,' Linda Evans.
I switch off lights like a maniac. I drive at reasonable speeds so that I don't waste petrol.
When you're young, you think life is forever, but it's finite. I'm 68, so even by the maddest measurements, I'm in the last bit of life.
I can't cut out a piece of cloth and make a lovely dress, but I can mend tears in shirts and sew on buttons.
I'm a pathetic haggler and often give more than the original price out of a misplaced sense of duty.
You can't be vain as an actor. In 'Ab Fab,' we were made up as old women with bald wigs and jowly necks, and we looked fantastic.
There's an appetite for vigour in films. The camera loves a bit of movement. Movement is usually attached to younger people and men, and that's just the way it is. I think that it's a bitter pill to swallow, but it's a fact that there aren't going to be masses and masses of roles for older women because there isn't the audience for it.
It's nice when you happen into a vegetarian restaurant, but really, you can find veggie food everywhere. Pastas, salads, a vegetable plate - I actually like ordering vegetarian in a meaty place because it gives them a jolt to come up with something and recognize the demand.
The concept of Shwopping is so clever, I think. The idea is that every time someone goes shopping, they can take an unwanted item of clothing and pop it in the recycling bin in their M&S store for Oxfam.
I haven't got a very sweet tooth, but I love salted things like nuts. I would have to be dragged in by a lorry if I ate as many salted peanuts as I would like to.
In petrol stations on the motorways where people have left the place looking messy, I clear up each lavatory I happen to have occupied. When people drop paper on the ground, and everything like that, I pick it up, put it in the lavatory, and make that room look nice.
Cameras love pretty girls and craggy, old character men more than they can take craggy, old character women. But that's what's always happened. Work out how you can fit into it, and make that work. There are never going to be millions of parts for older actresses because there never were.
