For me, choosing to perform in drag, because of all the things I enjoy about it, is a political act.
The most radical thing about our lives is getting to be in a visibly filled-out queer crowd every night.
I'd say, at the end of the day, you know, from a songwriting practice standpoint, you write songs to make yourself feel something true and validating, and cathartic, maybe, and then whoever responds to it is, like, out of your control.
For queer people, the personal is very political, just to talk about it in a public space. It's very political just to come out and take up that space and be like, 'This is my narrative. It's not an outsider narrative, and it's not a fetish narrative; it's just my story, and it's worth being told and listened to.'
I think the earnestness of what we're saying and what other bands like us are totally saying - or other queer bands - is 'We exist.'
We're not writing songs to solve a cultural problem. The goal for us is to express what we're going through, and it's great if people find commonality in that.
