I kind of live by this old thing that time will tell whether people are going to write about this or that; all we can do is be who we are and make records we love, and everything else will sort itself out.
I think Good Charlotte has definitely always been for the underdogs and the misfits. We haven't ever really been the critics' darlings.
We've made a lot of party music; we're definitely not Thom Yorke. But there's also depth to our records; we get emotional.
There are so many bands I am starting to see: Waterparks, Potty Mouth - they're all garage bands that started in the garage. Kids are loving them.
Today, somewhere in America, there's a kid who's got a laptop and a guitar and a couple of his friends he's putting together to play drums and bass, who's gonna change the way we say things, the way that we dress, the way we view things, the music we hear, everything.
It does feel really good when you play a new song, and it's the loudest singalong of the night. It means just as much when we're playing the old songs, and people are singing along to those, too.
