I think every character that I play has a certain sort of tone or an energy level to them.
A true artist, in my mind, is willing to fail sometimes, because if you're not brave enough to say yes and follow your gut, it's never going to be good.
I did a lot of research on what solitary confinement does to you, how you become acclimated to being surrounded by people again after being by yourself for such a long time. It's really a horrific thing. It's definitely worth considering it as torture. We're just not meant to be in solitary confinement.
I think December has always been the most haunted month, from the gothic-narrative point of view - a lot of Edgar Allan Poe stories are set in December. It's the last month of the year, and it's supposed to be sort of this mystical, spiritual month. And being Swedish, December is also the darkest month out of the year.
The soundtrack for 'Hemlock Grove' got me into all this goth folk gypsy music like the Dead Brothers.
A character on screen that's the 'good guy' or the 'bad guy,' they're never interesting. There's got to be an internal struggle, the duality is important to find.
