I remember my father checking on a mountain kid who hadn't been coming to school. My father had this beautiful Harris tweed overcoat. He came back with a knife cut all down one side. The parents had told him it was none of his business why their son wasn't going to school.

While writing 'Cold Mountain,' I held maps of two geographies, two worlds, in my mind as I wrote. One was an early map of North Carolina. Overlaying it, though, was an imagined map of the landscape Jack travels in the southern Appalachian folktales. He's much the same Jack who climbs the beanstalk, vulnerable and clever and opportunistic.

In Ruby's mind, everything […] fell under the rule of the heavens. […] They were, as Ada saw them an expression of stewardship, a means of taking care, a discipline. They provide a ritual of concern for the patterns and tendencies of the material world where it might be seen to intersect with some other world.

A deep belief that your moment in time is the pinnacle, the only standard of judgment extending from the creation of light until the black apocalypse, that what you believe right now is eternal truth because you believe it so fervently—those deep beliefs so crucial at the moment but none of them more permanent than a puff of air across a palmful of dry talcum.

When time is remote enough nobody amounts to much.