I'm concerned, as I guess all middle-aged people are, about the younger generations' level of literacy.
What is it we want out of travel? Is it to take snapshots of ourselves in front of famous monuments, surrounded by other tourists? To eat unfamiliar food chosen from unintelligible menus? To earn frequent-flier miles? No. It's to glimpse what life is like somewhere else.
Sometimes, I had very little - if any - idea for whom I was really working: at the end of the day, who reaped the profits? Was it a privately controlled German foundation or a global array of stockholders? A middle-class guy on the Upper West Side or Rupert Murdoch? Were we pursuing mere profit, or self-perpetuation, or something bigger?
We all live in a universe in which we're either asked to or are forced to accept certain premises about our employment without having the opportunity to verify them.
In 'The Travelers,' everyone is defined by his or her relationship to work. I put each character on a different rung of the ladder: from the lowliest assistant to a powerful man in the world of media.
There's always something at least a little smug about self-reference - magazine articles about idealistic journalists, TV shows about TV actors, ironic films within ironic-er films: all this meta-media populated by thinly disguised characters making oblique inside jokes.
