Any radical change or trauma always makes for interesting subject matter, but then all stories deal, to some extent, with the disjuncture between past and present.
Unrequited affection is very painful for the lover, but it can have unexpected, creative consequences.
I work by hand, with a fountain pen, in bound notebooks I buy in India.
Almost overnight, white people have gone from being very powerful to potentially irrelevant. Their future in South Africa is not what many had envisaged, so it involves a lot of reinvention.
Writing is very good for household tasks. Because you'd rather fix a dripping tap or paint an old wall - you'd rather do almost anything than sit and write. I have to reach a point of obsession in order to write, and so I find starting a book incredibly difficult.
I like to believe that if you pay close attention to the sentences as they unfold, they will draw you in rather than pushing you away.
