I don't read horror, ever. When I was 15, I made the mistake of reading part of 'The Exorcist.' It was the first and last horror book I've ever opened.
We did not have a television while I was growing up, and so I read voraciously. My earliest memory of being utterly transfixed by a book was Madeleine L'Engle's 'A Wrinkle in Time.'
I've learned that universal acceptance and appreciation is just an unrealistic goal.
I feel like if I'm going to take time reading, I better be learning.
I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
I often will write a scene from three different points of view to find out which has the most tension and which way I'm able to conceal the information I'm trying to conceal. And that is, at the end of the day, what writing suspense is all about.
