With studio work, I'm always the bottom man on the totem pole.
From a young age, I was rubbing elbows with a very different kind of person and social class, and I felt a lot of tension and conflict in my identity because of that.
I've been pretty well treated by the critics, but the critics who didn't like my comedies hated them with an unbridled passion, and then I would see these same people writing very respectfully about ordinary naturalistic plays.
