I'm three-quarters Russian, so I've always felt an outsider. But I don't think you can be in a play with John Of Gaunt's 'This sceptred isle' speech and not feel proud to be British.
That's the thing about film acting and television acting. You just release yourself and do what is true for the moment, and ignore everybody and everything and all the technical razzmatazz that goes on.
When I was 16, I played Macbeth at school and my English teacher said, 'I think you may have acting talent. Try to get into the National Youth Theatre of Great Britain and see where you get.' I wouldn't have thought of that at all. I wanted to be a surgeon, but I wasn't a clever man.
I've always been short and stocky. So when I got into repertory theatre after graduation, I found myself doing character roles: because of my deep voice, shape and height, I was playing 40-year-old, 50-year-old roles at the age of 23.
Although I'm a very emotional man, I just can't have blind faith; I have to find out for myself.
