The hardest thing to teach young writers is that it's wonderful to tell your truth. And that's what you should do. But it damn well better be beautiful.

When I was growing up, I always read horror books, while my sister read romance novels. My sister became unmarried and pregnant during high school, and she kept saying, 'This wasn't supposed to happen! Why is this happening to me?' Someone should have given her another book to read.

If you write a book that's as powerful and successful as 'Bastard,' there's a strong desire to prove there's something else.

I tell my students you have an absolute right to write about people you know and love. You do. But the kicker is you have a responsibility to make the characters large enough that you will not have sinned against them.

I was born in 1949, and by the time I was 10, I figured out that my hope chest was not aimed in the same direction everybody else's was. And that life was going to be very, very complicated. And that I could either be provocative and declamatory, or shy, retiring and scared.