I mean, I have done scenes with animals, with owls, with bats, with cats, with special effects, with thespians, in the freezing cold, in the pouring rain, boiling hot; I've done press with every syndication, every country; I've done interviews with people dressed up as cows - there's honestly nothing that's gonna intimidate me!

I don't know what makes a marriage work. My husband and I don't have it right at all; it's very tough on him. From the outside it looks like it's all about me - I have a glorious career and he doesn't.

I think so, Silence of the Lambs was a great, suspenseful thriller and I would expect Red Dragon to be similar. And I think it's very character driven.

It's a whole different kind of anxiety. But the great thing about doing a theatre job is that once the ball starts rolling you just have to go with it, it's inexorable.

In my early career I was like a goldfish. Rejection didn't affect me; I'd just forget how bad it was and keep going back for more.