When you start a show, the plans are not set in stone. They're really mutable, cocktail napkin sketches.
People pitch me the crazy mystery mind-blowing thing all the time. My response is, 'Great, but how do the characters feel about it, and how do we reveal new facets and new dimensions of who they are?'
If I had a worldview, and I don't know if I do, but if I did, it's one that's intensely humanistic.
Television showrunners are a foolishly optimistic bunch.
It's hard asking someone with a broken heart to fall in love again.
