We don't outline, so we don't have prospective tasks to divide up. It's just, we start at the beginning and talk the first scene through, write it up, proceed to the next.
In 'True Grit,' we had a vulture, a trained vulture... that was a pain and that was - even by vulture standards - probably a stupid vulture, and that was frustrating.
It's hard to get away from being old. I still talk about the TV set.
You don't have to have a true story to make a true story movie.
Sergio Leone has this weird western opera thing.
People respond to real problems from the heart.
