I don't go, like, 'Hmm, I'm now going to create something for the black community.' I just feel this compelling urge. I just feel myself drawn to stories that I feel have a potency and immediacy.
When I was on dialysis, I willed myself to do 'On the Town.' It accesses my most childlike, joyful love of theater.
I feel like I've been very blessed in the sense that I've had the veracity of spirit to not be stopped and, at the same time, the protective energy and the generosity of those who have come before me, who saw something inside of me and, therefore, invited me into rooms that I would not have been inside of otherwise.
Musicals spring forth from minstrelsy, vaudeville, melodramas; it was all these things combined to create the form.
Growing up in the South, I was raised to be a Negro boy. I was acutely aware how other people perceived me, and that informed my behavior. That worked for a period of time, but it could also be suffocating.
When 'Jelly's' went out on tour, no one really wanted it. It was undersold. And I knew if I gave 'Noise' to someone else, they would sell it as 'Stomp' with little dancing black boys.
