It's weird, because American films in the 1930s and '40s, particularly melodramas, were made for woman, from Bette Davis to Joan Crawford to Barbara Stanwyck to Katherine Hepburn, and for some reason we've taken a step backward in this sense.
'Apocalypse Now' does not alienate us or deconstruct itself. In fact, it welcomes us in.
It's much easier to make a movie with kind of stylistic pyrotechnics because you can hide behind that if there's a gap in the story.
My wife thinks I have an obsession with social class. So I guess I have an obsession with social class. It probably stems from feeling like an outcast.
The key to humor is often self-loathing or sarcasm. In a sense, that's how self-loathing is made palatable.
Sean Penn has announced his retirement from acting about 72 times.
