I grew up in Arkansas, and I went to Little Rock Central High, which was the site of a desegregation crisis in '57. I graduated in '97.
I think plot is very overrated. Plot is obviously necessary, but what I really care about is emotionally affecting the audience. Having a thought myself and then an emotional experience myself, somehow transferring that to the audience.
Your reaction when you lose control in a situation is to try and hang on tighter.
I'm not as worried about the process of writing, simply because I think I've got that one down, you know? I think I know what brings specificity to these ideas, what brings specificity to the genre elements, or anything else, and it's personal emotions.
I've kind of always had this balance between genre and personal dramas. It almost feels like the two help each other. If I was just to make a genre film, maybe it would be hollow and soulless. If I was just to make a personal drama, maybe it would be melodramatic and nobody would ever go see it.
It took me a year just to edit 'Shotgun Stories.' Actually, it took me two years to edit 'Shotgun Stories.'
