The Quiet World In an effort to get people to look into each other’s eyes more, and also to appease the mutes, the government has decided to allot each person exactly one hundred and sixty-seven words, per day. When the phone rings, I put it to my ear without saying hello. In the restaurant I point at chicken noodle soup. I am adjusting well to the new way. Late at night, I call my long distance lover, proudly say I only used fifty-nine today. I saved the rest for you. When she doesn’t respond, I know she’s used up all her words, so I slowly whisper I love you thirty-two and a third times. After that, we just sit on the line and listen to each other breathe.
タグ: sacrifice, poetry, love, i-love-you

"Jeffrey McDaniel"の他の名言

Mathematicians still don’t understand the ball our hands made, or how your electrocuted grandparents made it possible for you to light my cigarettes with your eyes. It isn’t as simple as me climbing into the window to leave six ounces of orange juice and a doughnut by the bed, or me becoming the sand you dug your toes in, on the beach, when you wished to hide them from the sun and the fixed eyes of strangers, and your breath broke in waves over my earlobe, splashing through my head, spilling out over the opposite lobe, and my first poems under your door in the unshaven light of dawn: Your eyes remind me of a brick wall about to be hammered by a drunk driver. I’m that driver. All night I’ve swallowed you in the bar. Once I kissed the scar, stretching its sealed eyelid along your inner arm, dried raining strands of hair, full of pheromones, discovered all your idiosyncratic passageways, so I’d know where to run when the cops came. Your body is the country I’ll never return to. The man in charge of what crosses my mind will lose fingernails, for not turning you away at the border. But at this moment when sweat tingles from me, and blame is as meaningless as shooting up a cow with milk, I realise my kisses filled the halls of your body with smoke, and the lies came like a season. Most drunks don’t die in accidents they orchestrate, and I swallowed a hand grenade that never stops exploding.
タグ: poetry, exile
We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.
タグ: the-archipelago-of-kisses, poetry
I surrendered my identity in your eyes. Now I'm just like everybody else, and it's so funny, the way monogamy is funny, the way someone falling down in the street is funny. I entered a revolving door and emerged as a human being. When you think of me is my face electronically blurred? I remember your collarbone, forming the tiniest satellite dish in the universe, your smile as the place where parallel lines inevitably crossed. Now dinosaurs freeze to death on your shoulder. I remember your eyes: fifty attack dogs on a single leash, how I once held the soft audience of your hand. I've been ignored by prettier women than you, but none who carried the heavy pitchers of silence so far, without spilling a drop.
タグ: poetry
We didn’t deny the obvious, but we didn’t entirely accept it either. I mean, we said hello to it each morning in the foyer. We patted its little head as it made a mess in the backyard, but we never nurtured it. Many nights the obvious showed up at our bedroom door, in its pajamas, unable to sleep, in need of a hug, and we just stared at it like an Armenian, or even worse— hid beneath the covers and pretended not to hear its tiny sobs.
タグ: poetry
If you heard your lover scream in the next room and you ran in and saw his pinkie on the floor, in a small puddle of blood. You wouldn't rush to the pinkie and say, 'Darling, are you OK? ' No, you'd wrap your arms around his shoulders and worry about the pinkie later. The same holds true if you heard the scream, ran in and saw his hand or -god forbid- his whole arm. But suppose you hear your lover scream in the next room, and you run in and his head is on the floor next to his body. Which do you rush to and comfort first?
タグ: poetry, hunting-for-cherubs, death
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