All the uncontrollable and unpredictable parts of my life - from the actual creation to my emotional responses to the finished book - I've succeeded in banishing to the office. And I think I'm happier for it.
In the U.K., a lot of writers won't show up to support activist issues because they figure they're already repairing the world. I don't want to be one of those people.
For all the splendours of the world's greatest galleries, visitors are likely to be kept at arm's length, spectators of a world that can seem too rarefied to let them in.
As a natural historian, I don't believe in the consciousness of rocks or the opinions of rainbows or the convictions of slugs.
Good old-fashioned, puritanical work guilt is, for me, a better colleague than any Muse. If I reach my weekly word target by Friday afternoon, then the weekend is guilt-free.
I'm very aware when I share a stage with other writers that I'm much less driven than they are. I don't wake up in the middle of the night, pregnant with paragraphs. I don't suffer for my text twenty-four hours a day.
