What we're dealt with hopefully is two arms, two eyes, two legs, a head, a heart. The variations, the extensions, the possibilities of the human body, what that can do.
I like to ground plays in reality so they can jump higher. So we can account for the trampoline, so we can account for the leap.
The New York City Ballet is always about the realm of possibilities, the realm of what the human body can do, what the human spirit can do. And it's about listening, it's about listening to remarkable music and how we respond to that.
The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
I think that every year that the New York City Ballet is alive is worthy of celebration. Because otherwise the terrible thing is just that we take it for granted.
I think of the New York City Ballet as the Yankees without George Steinbrenner.
