My complaint, as an exile who once loved New York and who likes to return a half-dozen times a year, is not that it plays host to extremes of the human condition: There is grandeur in that, and necessity.
Being able to write becomes a kind of shield, a way of hiding, a way of too instantly transforming pain into honey.
What interests me is why men think of women as witches. It's because they're so fascinating and exasperating, so other.
Perhaps I have written fiction because everything unambiguously expressed seems somehow crass to me; and when the subject is myself, I want to jeer and weep.
Belief, like love, must be voluntary.
New York, like the Soviet Union, has this universal usefulness: It makes you glad you live elsewhere.
