I think one of the paradoxes of writing fiction is when people enjoy it, they want it to be real. So they look for connections.
In order to write the book you want to write, in the end you have to become the person you need to become to write that book.
I do think that we all draw limits and I feel like part of the work of an artist is it shouldn't be fun. This shouldn't be comfortable. I'm not looking to make people feel unsafe, but I am looking to make people feel uncomfortable.
Let me tell you, if I could write one-tenth as fast as some of my friends, I'd be made. I'd be it. But instead I happen to be, in the tree of life of writers, down at the bottom, with the hematodes.
I write incredibly slowly. And, on top of that, I spent my entire youth and twenties working like a dog, so one of the things that happened when I finished 'Drown' was that I got busy living. I'd never travelled, I'd never seen anything. So I did as much travelling as my job teaching would allow.
I don't think I could have tackled 'The Pura Principle' until now. It takes me about twenty years to come to term with any difficult period in my life, to get enough of a grasp on it to fictionalize it.
