The way we got Phil Collins for 'Tarzan' was that we heard around the studio that he was looking for a Disney project, and we got him. It seemed like a perfect match. Phil is a great musician.
We didn't ever want 'Tarzan' to feel like he was just a man. We didn't want him to stand up straight or wave good-bye. We wanted to make sure he always had that piece of gorilla in him, that he always had an animal attitude about him.
