I have accepted that even when Mr. Cosby is long gone, I will still get asked about him.
There's something very surreal about driving a truck, looking in the rearview mirror, and seeing 20 cop cars behind you. Even though you know, 'We're just shooting. This is just a scene; we're making a movie here,' it's very unsettling.
When I was hanging out with Joey Clements in Chicago, I made it a point not to try to emulate him. I wanted basically to create my own character. I didn't want him to think I was hanging out with him solely to use him as research.
Since the beginning of establishment, poets and spoken word artists have always been both vocal supporters and critics of government. And in this age of Trump as President, alternative facts, falsehoods becoming truth at the send of a tweet, it's vital that spoken word poetry does its job helping to keep folks 'woke' and not numb or shut down.
A lot of times what happens is, not even just with child actors, but people in general, is they get so caught up in the now. The hot song, the hot TV show, the hot movie. You're not saying 'OK, this is cool, but where am I trying to be 20 years from now?' That's always been in the forefront of my mind.
Mr. Cosby wanted to do a show not about an upper-middle-class black family, but an upper-middle-class family that happened to be black. Though it sounds like semantics, they're very different approaches.
