It's one of the things that looks good written down, but the reality is that you think about the pieces you're doing and try to bear in mind everyone in the audience.
I love Tennessee Williams; as a playwright, he's so poetic.
People get excited about things like 'Swan Lake' because they generate a personal involvement. If you set up the story properly, audiences respond to the ambiguity. People ask, 'What exactly is happening in Act Four?' and I never say. I can't put it into words, but they've got a feeling about it, and that's good enough.
I've always been excited by the strangeness of ballet, but I can't bear it when people just come forward and do a turn in the air for no reason.
Astaire never thought of what he was doing as balletic, but Kelly was always trying to dance with women on points. And his choreography is so showy and flashy. He always looks self-satisfied to me.
People think I got rich out of 'Swan ,but I didn't at all: it's the royalties from 'Oliver' and 'My Fair Lady' that have kept me going.
