All at once he feels weary of ganefs and prophets, guns and sacrifices and the infinite gangster weight of God. He's tired of hearing about the promised land and the inevitable bloodshed required for its redemption.
There's nothing more embarrassing than to have earned the disfavor of a perceptive animal.
I'm a big fan of Tarantino's work, and I think I'm fascinated by his evident sense of entitlement to use black characters and black material that he feels not simply comfortable with, but that it's his right and privilege - the apparent ease with which he handles black characters, fully aware that he's been criticized for that, too.
Joe is the hero and Sammy is the sidekick. That's how I feel about it.
It was an incredible resource. I'd sit with a big stack of bound New Yorkers in the library and read through, especially the 'Talk of the Town' sections.
What's going to be hard for me is to try to divorce myself as much as possible from what I wrote. I'll have to approach it simply as raw material and try to craft a film script out of it.
