When you're 8 years old, and you've become subconsciously familiar with the layout and design of Black Sparrow books, and you know the difference between Miles Davis and John Coltrane, something is bound to stick.
All of my close friends are emotional train wrecks. This is what makes our lives interesting - constantly doubting ourselves, worrying, wondering if we've made a mistake. Could we have done better? Are we good people? Are we bad people?
I come by writing dialogue fairly naturally, I've got a chatty family; I'm a bit of a voyeur, and if I'm ever in a public place, I automatically find myself listening.
The idea is this: It's important to upset one's work habits, to topple the cart for each project.
I was halfway through a rough draft of 'The Sisters Brothers' when it came time to start the 'Terri' adaptation.
I don't necessarily want to make people stomp and clap. I simply want to engage people.
