Things are beautiful or ugly only in time and space. The new man's vision being liberated from these two factors, all is unified in one unique beauty.
The natural does not have to be a specific representation. I am now working on a thing which is a reconstruction of a starry sky, yet I make it, nevertheless, without a given in nature.
If the universal is the essential, then it is the basis of all life and art. Recognizing and uniting with the universal therefore gives us the greatest aesthetic satisfaction, the greatest emotion of beauty.
The most advanced minds as well as the least advanced are obliged to use the same words. If we adopt new words, it will be even more difficult - if not impossible - to make ourselves understood. The new man must therefore express himself in conventional language.
Subjectivity ceases to exist only when the mutation-like leap is made from subjectivity to objectivity, from individual existence to universal existence.
I think that the destructive element is too much neglected in art.
