A show is good when there is a meeting of time and space, when time and space become irrelevant.
When we did 'The Dragons' Trilogy,' China was a big, mysterious piece of rock that we never thought would even move. It was impenetrable, impossible to deal with.
Theatre is different. We can spend two weeks around a table talking about subtext. In opera, there is a score, and people already know their parts. And they move differently. I find all this liberating.
There's nothing sadder than when things happen the way you've planned them, because we don't have a lot of imagination, you know.
There's not a system better than another. There are some people better than others. I'm not anti-democracy, but there's no real system yet that has proven itself to be the right one.
I was interested in theatre, and the only experience that I had in high school was as an actor. But when I got in Conservatoire, my teachers would give me a lot of flack because I wasn't rehearsing my lines; I'd be doing stage management. I was interested in sound. I was interested in architecture. I was interested in every aspect of theatre.
