My career is based primarily upon finding a balance with a director and their vision, and that means sublimating my own personal ego toward their material.
The beauty of a Tarantino film is that the visuals match the rhythm of the words. That's his goal. And that's my goal.
It's far better to shoot a good picture than a good-looking picture.
I have developed my eye as a cinematographer through the craft of operating. When I am not operating, I am often anxious, uncertain, restless, sometimes irritable. When I am in the position of working with Steadicam or remote cameras, I fly with a broken wing.
Sadly, cinemas with film as the primary source are disappearing. We need to remain open to change. That does not require one to divorce the past but to respect and process both the present and the future.
