The default mode of modern writing about art is to despise any notion of singularity as so much overheated genius-fetishism.
I am passionately invested in the survival of Israel and everything Israel represents. But I am extremely critical of much of its policy. I believe that the occupation must end. And if it doesn't, it will end Israel. I'm not in favor of settlements.
In the early nineteenth century, with Enlightenment optimism soured by years of war and revolution, critics were skeptical of America's naive faith that it had reinvented politics.
As a schoolboy, poetry seemed defined by preciousness. It was all very rarefied.
The notion that religion can actually be something... attached to progressivism seems so bizarre. But all you have to say is that Abolition wouldn't have happened without it. The way in which African Americans managed to achieve a degree of self-determination was through the church.
Jewish history has been in my cultural DNA since I was a child growing up in post-war London. In the midst of that dark, gray, lamenting monochromatic world of the '50s, I had a sense that both Jewish and English history were full of color and light and animation.
