All art is an intensely vulnerable gesture, and it is made with no small amounts of risk, and fear. So, I have plenty of sympathy for self-defense mechanisms, especially among artists.

The idea that an author can extricate her or his own ongoing life experience from the tale being written is a conceit of very little worth.

All things considered, science is the best means of understanding almost everything around us. It works well on the human scale and stands as a stark counter-point to beliefs that by their very nature refute the notion of evidence. And I would be the last person to attack people encouraging the rest of us to use our ability to be rational, thereby defending the value and the necessity of science. But I will lift a querying hand when the notion of ‘science’ is held to be immutable, because ‘science’ as such does not exist. Science is a process to be sure, a way of thinking, but what science is above all is that which scientists do, and alas, scientists are people, too. As potentially fallible, irrational, biased, greedy, in short, as flawed, as the rest of us. So, by all means defend science as a process. But don’t confuse it with the very human endeavor of science as a profession. Because they’re not the same thing. And this is why when some guy in a white lab-coat says ‘you can trust me, I’m a scientist,’ best take it with a big bucket of salt, and then say ‘Fine, now show me the evidence and more to the point, show me how you got to it.

The stars, they are as the sun. Each star. Every star. And those spheres- they are worlds, realms, each one different yet the same.

The verge between sea and land marked the manifestation of the symbolic transition between the known and the unknown. Between life and death, spirit and mind, between an unlimited host of elements and forces contrary yet locked together. Lives were given to the seas, treasures were flung into their depths. And, upon the waters themselves, ships and their crews were dragged into the deep time and again.