I always found the road exciting. I liked stinking hotels and freezing dressing rooms.
The Pleasure Seekers eventually turned into Cradle, when we started writing our own material. My younger sister Nancy was brought in as singer and I kind of stepped aside as main lead singer and concentrated on my instrument.
'Rolling Stone,' my first single, was only a hit in Portugal, but when we recorded my second single, 'Can The Can,' I got that hair-on-the-back-of-the-neck feeling, and I knew it would be huge. It topped the charts in the U.K. and Australia in 1973, and I got my first gold disc.
I joined an all-girl band in Detroit and, although I was a pianist and drummer, I was asked to play bass because no one else wanted to. When I strapped it on, it fit me as good as my leathers. At the first gig we played, I looked out at the audience and thought, 'This is what I'm going to be doing for the rest of my life.'
Ever since I was a child, I've just had this sense that I'm connected to the spiritual world. I thought everyone else felt the same way. I can hear voices - not all the time - but when I'm with certain people, it sometimes comes through.
I am flattered to have been the woman to have opened the door for female rockers to be accepted into the mainly male industry.
