I think the best endings bring you back in rather than close things off with absolute finality. I'm not saying they necessarily have to be ambiguous, but we don't always need to know what happens when everyone wakes up tomorrow morning.
I never go anywhere without a book for fear of being stuck in line in front of the theater or strapped down in the dentist's chair and being bored witless. Thus, I read everywhere.
The beauty of American law is you cannot slander anybody who is dead. This is not true in all countries.
I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it - in a world in which everything else is out of control.
The novel is a seduction; a reader has to be seduced.
It's hard to say how certain stories just punch us in the heart and the brain at the same time at the end. I suppose that's what we're all looking for. But each story has its own valence, its own way of saying goodbye to you.
