My mother emigrated from Russia as a young child. She couldn't speak English and had no education. Her father died at age 32, leaving the family destitute. An uncle, who worked as a carpenter, supported the family.
I learned construction and carpentry from my father at a young age, so I felt very comfortable and I felt very satisfied when I worked in that field.
Age carries all things away, even the mind.
What makes us a bit nervous is, in this instant age, to release something that might take more than one listen. Where everything is instantly judged on YouTube or something! It's a bit like releasing a horse and cart on a racetrack.
The journalism school helped me develop writing skills, and I had been enjoying cartooning from a very young age. My interest in puppetry, however, came much later.
If, by chance, you were to meet me at the Casablanca airport or on a boat sailing from Tangiers, you would think me self-confident, but I am not. Even now, at my age, I am frightened when crossing borders because I am afraid of failing to understand strangers.
My parents are musicians. I was listening to the radio and recording songs off the radio on cassette tapes and playing guitars and pianos. Just emotionally responding to music from a very young age.
As described in 'The New Jim Crow: Mass Incarceration in the Age of Colorblindness,' the cyclical rebirth of caste in America is a recurring racial nightmare.
I was being taken around by a press agent at the Venice Film Festival at age 18. Was it fun? Sure. But it was a dangerous path to be walking on as far as having a substantive life. Because the casualty rate at the Venice Film Festival for 18-year-olds? High.
Memory is the first casualty of middle age, if I remember correctly.
In America, people of a certain age ask, 'Where were you when Kennedy was shot?' In my house you were more likely to be asked, 'Where were you when you first read 'The Catcher In The Rye?'
There's to be a film about my life. I can give this as an exclusive now. Meryl Streep was offered the part but, no, I wanted Kate Winslet. Kylie Minogue is playing me in middle age. In old age, I'm not sure who's going to play me. I haven't got there yet. Perhaps Cate Blanchett. Or Jacki Weaver.
In Miss Catherine Middleton we have the faintest, intoxicating glimmer of a New Age Cinderella story.
I have a daughter, Catherine, aged 30. I have a 9-year-old son, Nathaniel, a 7-year-old son, Ridley, and a 6-year-old daughter, Truma. I'm 68. The age gap between the younger kids and me is not something I think about much because I feel physically about like I did when I was 40, or at least, I think I do.
Nick is 11 and a half years younger than I am, so his mom is only, like, 11 or 12 years older than me. I didn't call her Mrs. Offerman because that would be weird because we're, like, the same age, so I think I went straight to Cathy, but there's a mom element, and his parents are so great.
If you haven't heard my story, my mom is full Korean, and my dad is Caucasian. Kids in kindergarten would make fun of me for being Asian, and when you're that age, you don't know really how to process that; the way you take that is, 'Who I am isn't good enough.'
I've always been very cautious with what I do. You know, that started at a young age. I always had the approach or the mentality I never wanted to embarrass my parents.
You can't blame movies for embracing spectacle; filmmakers since D.W. Griffith and Cecil B. De Mille have loved spectacle, and spectacle is something that movies convey like no other medium, especially in a digital age.
I got into cello in the fourth grade, and I played that for years. I adored playing it. I got an opera coach when I was 12 because I really wanted to learn how to sing properly. The only proper way to sing, I thought at that age, was opera.
A lot of people assume that women of a certain age who are not unattractive have no excuse for not having a perfect life. But you can have emotional baggage that is dragging you down like cement blocks tied to your feet.
