I'm always an optimist!
I'm pretty positive, optimistic, so I always expect the best.
I was always a very happy, optimistic person.
No matter what, I've always been an optimistic person.
I've always been a positive, optimistic person who loves life, and I've got a lot to be positive about.
The way we have looked at pricing at Merck is we've always said we want to be responsible, which means we want to optimize profitability and patient access.
If you optimize everything, you will always be unhappy.
I always say don't make plans, make options.
Presidential leadership needn't always cost money. Look for low- and no-cost options. They can be surprisingly effective.
The ocean-bordered southern part of California has always been a place of Hollywood make-believe, casual opulence, suntans and jewelry.
I always wanted to be a Californian. In my wildest dreams, I always liked California - it's the place where oranges grows on trees! Fruit just falls off the trees.
I have always studied my parts with the orchestral score and not with the piano reduction.
I always dreamed of writing in an orchestral context. But when you finish a piece, you want to hear it. So we played everything with Phish.
I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference.
Music has always been an important part of the 'Final Fantasy' series. The popular role-playing games have typically featured catchy, eclectic soundtracks filled with beautiful orchestrated melodies.
When I write a tune - and it's been like this for many years - I always hear in the back of my head some sort of vague, orchestrated, fully fleshed-out big-band version of the song with other parts going on.
I always try not to overload my music with orchestration and to use only those instruments that are absolutely necessary.
It's writing songs within the structure of telling a story, so it becomes a platform for diverse songwriting, for a writing process that's broader than just figuring out a song. You're also dealing with always pushing the story forward, with casting the voices, with the orchestration, with the arrangements.
I can almost see the music. It comes in the form of colors - colors jump out at me, and that translates into notes. They come fully formed: the orchestration parts, not just the melodies. Even though they're not always the right ones to use, the initial idea comes like that.
Our bodies must always be wherever that struggle and the moment we forget that, the moment we become lazy, the moment we sit back, then then the evil ones do their ordained tasks to us.
