I don't want food all over the place, down the sides of the sofa... When I shared a flat before I got married, we would always eat around the telly, but not now!
I've just always had a soft spot for character actors.
I always thought that feminine, softer side was just too vulnerable to put out there, because then it's like you're opening up a door for everybody to come in, and you don't know who's going to come in that door.
There has always been a softer side to Sushmita Sen. You might never see it, but there is one. And you will never see the 'real' Sushmita on screen.
I always had a much softer approach to my interviews and promos. I was not so much that wrestler that was yelling at the screen; I was always the one that was talking to my fans.
I was always very softly spoken and kinda looked after myself.
I love the fabric of Genetic jeans. There's a softness. I always travel in them. It feels like you're in like your most comfortable pajamas.
The reason I decided to become a solo artist in the first place was because I always felt that the results that I got from working as a team where everyone had equal say... ended up with compromised, watered-down results.
I've always looked on myself as one of a band and never sought a solo career.
I've always wanted to do a solo record, and in 1999, I went over to Japan and did a project called NiNa, where I co-wrote with Yuki from Judy and Mary. It just sort of unleashed this realization in me that I could write.
Being Somali, being Muslim, it's always something I've been very proud of.
I never did albums fully at DFA; I always would go someplace else so I wasn't making a record in my office, basically.
My mother was a very positive thinker; she was always active, always doing something good.
Sometime to be called Pavarotti is not always an advantage.
If you're always under the pressure of real identity, I think that is somewhat of a burden.
My teachers said, 'Always keep a Beethoven sonata under your fingers.' I always have. I still play chamber music, and I always play classical.
I didn't want to look back in 10 or 20 years and say, 'Yes, I always wanted to write that piano sonata or that novel, but I never had time.'
I love song writing, so I'm always happy to write for other musicians.
The act of song writing and recording became one and the same to me; because I essentially recorded everything I did from the day I began trying to write songs. I've always had a lot to say. I'd always written poems.
I've always been crazy for the American songbook.
