My basics are black, white, or neutral, and I'll wear a ton of jewelry or carry a brightly colored bag.
'Black Panther' had a whole cast of beautiful black brilliance. Black scientists. Black presidents. The style. The technology. The color.
The story of the British empire helps to explain the roots of most British people: white, black, and Asian.
My mixed-race background made me a broad person, able to relate to different cultures. But any woman of colour, even a mixed colour, is seen as black in America. So that's how I regard myself.
I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.
I don't think that everything on Broadway relates to us, and I think that's why we as black people don't always go to Broadway shows, but shows like 'What's on the Hearts of Men' has a lot of issues that can relate to black families, and that's why I enjoy it.
With 'Black Rain,' I spent a lot of time with homicide detectives, and I spent a lot of time with different brokers on 'Wall Street.' It helps get the rhythm of the piece and the tone, and how overplayed or underplayed it might be. That's also the magic of movies: You get to hang out and live these different lives.
I was looking at this picture of Brooke Shields at Studio 54 the other day. Everyone in the shot looks amazing because they have these black and white cameras with a flash. I think that's what photographers should go back to.
Black bears, though, are not fearsome. I encountered one on the road to my house in Vermont, alone at night. I picked up two stones just in case, but I wasn't afraid of him. I felt a hunter's exhilaration and a brotherly feeling.
America is composed of all kinds of people - part of the difficulty in our nation today is due to the fact that we are not utilising the abilities and the talents of other brown and black peoples and females that have something to bring to the creativity and the rejuvenation and the revitalisation of this country.
God tells us not to judge one another, no matter what anyone's sexual preferences are or if they're black, brown or purple.
To allow injustice and inequality invites a Ferguson to your community. We must stand together, black, white, brown, red, and yellow and fight for justice and equality for all. It's the only way to avoid more Fergusons.
Those companies that don't see the black and brown communities are missing, out of their closed eye, talent, which leads to money and growth. When baseball, football and basketball couldn't see the field, they missed talent and growth. The same is true in the tech industry.
As African-Americans, that's what's being played fast and loose with, our citizenship. When you have the Trayvon Martins and the Michael Browns being shot and killed, it's because, on a certain level, there is a kind of mutability in the understanding of citizenship around the black body.
I was born with a black eye. When they pulled me out with the forceps, they clamped them round my face, so I had a big bruise from that.
Feminists must denounce the use of white insecurity - whether in relation to white womanhood, white neighborhoods, white politics, or white wealth - to justify the brutal assaults against black people of all genders.
In my wildest imagination, I never thought that the fifth of six children born to Helen and Buddy Watts - in a poor black neighborhood, in the poor rural community of Eufaula, Oklahoma - would someday be called Congressman.
Black people have always been used as a buffer in this country between powers to prevent class war.
I always had dreamed one day Bruce Buffer's going to be introducing me... Derrick 'The Black Beast' Lewis... and I just always pictured him saying it.
Like Nemesis of Greek tragedy, the central problem of America after the Civil War, as before, was the black man: those four million souls whom the nation had used and degraded, and on whom the South had built an oligarchy similar to the colonial imperialism of today, erected on cheap colored labor and raising raw material for manufacture.
