'Cloud Atlas' is for everybody. The main character in the movie is humanity.
It is tragic that the Fuehrer should have the whole nation behind him with the single exception of the Army generals. In my opinion it is only by action that they can now atone for their faults of lack of character and discipline.
I feel the need of attaining the maximum of intensity with the minimum of means. It is this which has led me to give my painting a character of even greater bareness.
Any of us can be happy and have a good attitude when everything is going our way. But I believe it's the real test of your character and of your faith to say, 'Things are not going our way, but I'm still being good to people; I'm still attending church; I still have a good attitude.'
I grew up in a very culturally diverse area of America, and I am very proud to come from there. I am also proud that my inner circle of friends has never been defined by race but by the content of their character. Any former teammate or anyone who has met me can attest to this, and I pride myself on not being a judgmental person.
Weakness of attitude becomes weakness of character.
When acting, I can wear another person's clothes and act out the attractiveness of a particular character, which is very interesting for me. Singing is something I love as well.
I believe how a character eventually turns out is completely attributable to an actor. Even with a meaty role, if I am enacting it as an accessory, I will look like an accessory.
I am aware how difficult is the task to preserve free institutions over so wide a space and so immense a population, but we are blessed with a Constitution admirably calculated to accomplish it. Its elastic power is unequaled, which is to be attributed to its federal character.
By the life we live through the grace of Christ, the character is formed. The original loveliness begins to be restored to the soul. The attributes of the character of Christ are imparted, and the image of the Divine begins to shine forth.
I love Cillian Murphy's character in 'Peaky Blinders' and Tom Hardy's in 'Taboo' - theses are characters that, as audience members, we follow along with and root for. But our own morality is tested throughout that journey, because these characters ride a thin line between morality and amorality.
I look at rap as an opportunity to act. My head is full of different characters - in each song I'm auditioning a character.
My life has changed because my access has changed, and so has the level of privacy in my life, but these are champagne problems, because I wouldn't rather be back auditioning. And change can be really good - as long as your character is intact.
One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
I grew up when one of America's greatest black playwrights, August Wilson, was writing about life in Pittsburgh, but I never saw myself in any of his straight-male plays. And then I see 'Angels,' which was so honest and painful, and it had this black drag queen in it, Belize, with a big heart. I finally had a character to relate to.
As blue chips turn into penny stocks, Wall Street seems less like a symbol of America's macho capitalism and more like that famous Jane Austen character Mrs. Bennet, a flibbertigibbet always anxious about getting richer and her 'poor nerves.'
Americans' distrust of the conspicuously intellectual - a habit we learned, I suppose, on the frontier, but which remains a feature of the national character - has the virtue of puncturing the pretentious and exposing the fake, but it may also have impaired American listeners' patience for music that is especially complex or austere.
My roles in comedies from 'Austin Powers' to 'Tommy Boy' to 'Wayne's World,' were sort of comedic 'straight man' parts. My character on 'Parks & Recreation' is the comic relief in a comedy. To play a character that appears strictly for laughs is sort of new for me and really fun.
The brilliance of Max Brooks is that he always quotes authorities at the back of his books that never existed. Like a Russian professor he made up that validates a story or character.
The prince in 'The Leopard' was a very complex character - at times autocratic, rude, strong - at times romantic, good, understanding - and sometimes even stupid, and above all, mysterious.
