Europe has found itself confronted with fresh challenges - challenges of a global character, the nature of which is directly connected with changes in the international climate and the difficulties of seeking new models for co-operation.
Novels usually evolve out of 'character.' Characters generate stories, and the shape of a novel is entirely imagined but should have an aesthetic coherence.
Too many architects are just trying to make all of their buildings look like a brand, and that may be good for business, but that is terrible for the cities because they lose character. If I go to Paris, I go to see the beauty of Paris and the coherence of Paris.
I want to keep an element of myself in every character I play. And maybe that's connected to finding something that you like in every character. Maybe they coincide.
I think my gap adds character. A while ago, on the street, a guy yelled, 'You could stick a gold through your front teeth!' Which meant I could put a £1 coin between them. But you can't. I've tried! Fifty-pence coins and 2-pence coins, yes. But not a pound.
For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
If there is something magic about the collaborations I have with actors it's because I put the character first.
I'm very much into the costuming of any character that I portray and it's one of the great things about making movies is it's a collaborative art form so you get all these artists who are looking specifically about for this instance your character's costume and what that might tell about your character.
I love inventing names, but I also collect unusual names, so that I can look through my notebook and choose one that suits a new character.
I haven't experienced college life. It's the phase that my character in 'Raanjhana' is set in. But it isn't that bad, either. I have nearly 30 films behind me and a National Award to boot.
I wrote this script in 2003, when I was a humble college student, sitting in my boxers and writing in my dorm room. And I came up with the idea of writing an action-based 'Snow White,' with this kind of Huntsman character as kind of a way in. So, that's something I'm sort of proud of.
I'm a firm believer that character is highly overrated. Character is a trick that we do with the audience's collusion.
We're dealing with whether we're going to accept the idea of socialism and Marxism and atheism. Or go back to the American way, Judeo-Christian values, which meritocracy is part of it. The idea that content and character and talent are colorblind.
My dad says that when I was two or three I used to go out dressed as a different character every day. I remember thinking it was perfectly normal to wear different coloured shoes and carry a pink umbrella. But now I've got a goddaughter of that age; I realise it's not normal at all.
I liked watching Rossi, his style, his colours and everything. He was someone I looked up to and until now he is still my only hero. He is the king of motorbikes and most people like Rossi mainly because he comes across as a pretty fun and good character. He is cool and has a good style and look.
When you are preparing for a role, you have a script to comb through and the writer's help in telling you about the character, and then you can fill in the gaps. When you are doing a cabaret show, it's very personal. You have the opportunity to share parts of yourself with an audience and figure out how you want to connect.
Leadership is a potent combination of strategy and character. But if you must be without one, be without the strategy.
I like people to be surprised by the turn of events. I don't want things just to be pat and formulaic. If there's some sort of internal combustion in the character or a desire to change the way things are going, that makes for conflict, which is the essence of drama.
I watch a lot of U.S. comedy, shows such as 'Eastbound & Down' and 'Veep.' I love Julia Louis-Dreyfus and her character in that show.
I think Jughead is a pretty trustworthy character - not only a narrator. I think he might be selfish, but he's obviously selfish, and that is comforting to me. I also think he has a really strong moral fiber and a propensity for good, and he tries to cultivate that in other people.
