There is no parallel in the history of the world. This mighty subcontinent with all kinds of inhabitants has been brought under a plan which is titanic, unknown, unparalleled. And what is very important with regard to it is that we have achieved it peacefully and by means of an evolution of the greatest possible character.
When I am searching for a character, I leave myself open, as does a medium. And I think that sometimes you can be inhabited by the spirit of someone who lived at some time or who was a bit like the person you are doing. And maybe they come in and use you as a chance to relive again.
Privacy is important to me. But it's not just about sticking two fingers up and saying I don't want anyone to know my business. It's an artistic choice. I think that for any actor to convince their audience that they have completely inhabited a character requires a certain level of anonymity.
Empathy is not as complicated when you have some aspects in common with your character; it's not impossible to know someone who's like you in many ways but different in one. This is true especially if you are a reader. Reading makes you accustomed to inhabiting other lives and sensibilities.
A revolutionary party is, in its essence, the party of its leader that carries out his ideology and cause, and the main thing in its building is to ensure the unitary character and inheritance of his ideology and leadership.
I hate going into the audition room. I find it the most nerve-wracking, inhumane experience, and I think it's such an inhospitable environment to give an honest account of the character and, I guess, your ability.
In fiction, a reaction shot is a brief portrayal of how your character reacts to something that someone else has done. In contrast to more direct character building, your guy doesn't initiate the sequence; he completes it. Exactly how he completes it can tell readers a lot about him.
Secular writers can tell a story about the physical, the emotional, and the intellectual parts of a character. But no matter how well they tell the story, they miss a facet that is innately part of all of us - the spiritual.
When a character has so many secrets and so much inner life, it's a joy to play those characters because you can use your craft.
I have quite a rich inner life, and I'm constantly looking for a way to express that. I haven't found it yet in acting. When you're playing a character, you're only going to find outlets for very specific parts of your inner world.
Your voice is not your instrument. Your voice is the character that you build, your innermost feelings, the things that you want to say, and your instrument is the vehicle that you use to carry the message.
There are a lot of actors out there who are able to engage with something in themselves which isn't necessarily their brain. But personally I find it very intellectually satisfying: doing your research and then burrowing as deeply into character as you can. I'm a naturally inquisitive person, too, and acting does feed into that.
Working on this album has been very emotional and super personal, and creating this character 'Cry Baby' helped me deal with my own insecurities.
It is almost impossible to imagine that any one could be so insensible to the high morality of Mr. Mill's character as to suggest to him any course of conduct that was not entirely upright and consistent.
I tend to write about towns because that's what I remember best. You can put a boundary on the number of characters you insert into a small town. I tend to create a lot of characters, so this is a sort of restraint on the character building I do for a novel.
Inspector Rebus is a great character, so when the opportunity came up to revive the role for 'BBC Children in Need,' and really have a bit of fun with it, I was happy to take part.
No one knows his true character until he has run out of gas, purchased something on the installment plan and raised an adolescent.
I don't want people thinking they know me instead of the character. Steve McQueen has loads of stories about him - who knows what's true? But it's great for people to fictionalize rather than know the truth.
We must renew our commitment to instilling high moral character in our students, to teaching them to treat each other with kindness, to stand up for what is right, and to respect the diversity of backgrounds and experiences that strengthen our country.
I've always been a believer in research. It's great to have an instinctual human reaction to a character, too, of course, but it has to be countered with knowledge and understanding.
