Weirdly, there have been a lot of critics of conservatism, but very few critics of innovation. As a culture, we are deeply paranoid about politics, but we gaze upon innovation with rapturous adulation.
There exists no culture in which adultery is unknown, no cultural device or code that extinguishes philandering.
The cross pollination of disciplines is fundamental to truly revolutionary advances in our culture.
The questions that our society must ask revolve around whether the time-consuming demands of the deep-reading processes will be lost in a culture whose principal mediums advantage speed, multitasking, and processing the next and the next piece of information.
While I appreciated the educational advantages I enjoyed in the school and was proud of what I could show in mental culture, I had an earnest desire for something more than a mere business education... I desired to study for a profession, and this prompted me to leave my native state.
I think the advent of the Internet gave us all a big boost, because by the time the Internet became mainstream and you could get it in your home, a lot of us were used to dealing in fan culture, writing to magazines or anything at the back of comic books.
Dialogue is the basis of Indian culture, and we don't want to make any enemies. Political and ideological adversaries, perhaps, but not enemies.
When I was at the CIA I asked my civilian advisory board to tackle some tough questions. Among the toughest: In a political culture that every day demands more transparency and more public accountability from every aspect of national life, could American intelligence continue to survive and succeed? That jury is still out.
To all of the artists that attend the Grammys: Stop accepting the invitation to be the upset of the year and demand that this body upholds its mission for advocacy and support of artistry as culture evolves. Demand that they change this system and truly reflect and truly acknowledge your art.
I'm part of the consumer culture... I'm just using the space I am given to express something that is out of the space so I'm part of the consumer system but I'm advocating stepping out. Which is a contradiction but I could be part of he consumer system and say, 'let's consume even more.'
The blue-collar culture, it's not really a buttoned-up aesthetic. It's a heavy-labor thing because you're, like, sweating.
We live in a youth-obsessed, aesthetically obsessed culture. That is no more evident than in the film industry.
If education, culture, the higher life were shining things to be worshiped from afar, he had still a means left whereby he could draw one step nearer to them.
I'm never interested in the painting being a mirror to culture. I think that's really boring. What I'm interested in is painting as an affective space. The place where the hierarchies of the world can be rearranged within the space of a painting. And they can be articulated in different ways.
Pop culture shapes our ideas of what is normal and what our dreams can be and what our roles are. Politics, of course, decides how the power and the money in the country is distributed. Both are equally important, and each affects the other.
I've always had an affinity and a passion for cars and that whole car culture.
In this present culture, we need to find the means to work and live together with less aggression if we are to resolve the serious problems that afflict and impede us.
My main mistake was to have made an ancient people advance by forced marches toward independence, health, culture, affluence, comfort.
The Taliban's acts of cultural vandalism - the most infamous being the destruction of the giant Bamiyan Buddhas - had a devastating effect on Afghan culture and the artistic scene. The Taliban burned countless films, VCRs, music tapes, books, and paintings. They jailed filmmakers, musicians, painters, and sculptors.
Too often, stories about Afghanistan center around the various wars, the opium trade, the war on terrorism. Precious little is said about the Afghan people themselves - their culture, their traditions, how they lived in their country and how they manage abroad as exiles.
