I was a reporter for Gannett and the 'N.Y. Daily News' covering Gov. Mario Cuomo's dance with presidential races in both 1988 and 1991.
We need to work for a day when police shootings are rare and not the stuff of our daily news.
I don't have to deal with the issues of the daily news cycle.
I realized that I had traveled to Havana during what now seems like the childhood of the Cuban Revolution, if you think that Fidel has now been in power for 44 extremely long years. I started looking at the revolution as history, and not as part of the daily news.
I do everything from home. I broadcast commentaries for CBS News Radio every day - from home, on a disk that I mail in. I write a weekly op-ed piece for the 'New York Daily News,' and any books or plays or movies that I'm crazy enough to write, I do that from home.
I'm literally driving in the middle of the night, and my phone rings, and my manager says, 'How would you like to be the host of the Daily Show?' I get out the car, and I didn't have legs. You know in those movies where there's an explosion? But instead of the sound of the explosion, you hear the silence. That's literally what happened.
Because I went from the 'Daily Show' where I was a fake news guy on a fake news show, to 'Bruce Almighty' where I played a news guy, to 'Anchorman' where I played a news guy, now I'm... yeah, I tend to gravitate towards suits.
My approach to comedy is that whenever it comes to me, I write it. With 'The Daily Show,' you have to write stuff every day, and that's a new experience for me, to not only write on someone else's schedule but a daily schedule.
We're pretty down-to-earth at 'The Daily Show.' Everyone is pretty sane. We don't party crazy.
That's the thing about 'The Daily Show' - we're doing four shows a week, so we can't be too precious about what's going on.
'The Daily Show' forced me out of my comfort zone.
People, I guess, generally come to see me do stand-up with a working knowledge of my broad sense of humor on 'The Daily Show'... I don't think anyone would mistake me as an actual anchor.
In improv, the whole thing is that it is a relationship between the two people, as a back and forth. In standup, you don't really want to be listening to what somebody is saying; you want to project your jokes into their face. And that's really not a good instinct with a 'Daily Show' field piece, where it's supposed to be an interview.
I'm not really much of an actor, so when I started on 'The Daily Show', I was just trying to adopt the faux authority of a newsperson.
I'm not really much of an actor, so when I started on 'The Daily Show,' I was just trying to adopt the faux authority of a newsperson. Having a British accent definitely gave me a sonic leg up on that because there is a faux authority to the British accent in and of itself.
My first 'Daily Show' piece was pretending I had this terrible immigrant journey, so I went to talk to an immigration lawyer who would help out people, and I ran into him in Penn Station about three months after I'd gotten the green card. I said, 'I got my green card yesterday.' And he hugged me because he understood that level of relief.
On 'The Daily Show,' we get so caught up in the day-to-day news cycle. A story breaks, and then the piranhas in late night, we all jump to the headline, and we dissect it, and then we have to move on to the next day.
I just started the way most comics start, doing open mic shows around Sacramento and San Francisco, and eventually, I moved to L.A. After about four or five years in L.A., I got the call to join the 'The Daily Show.'
One thing I never thought I would get to do is end up on 'The Daily Show,' not once, but twice.
I love the 'Daily Show,' and I think Jon Stewart is hysterical. But literally, the answer to every single problem is, 'Congress should pass a new law.' It's this unbelievably optimistic view of, 'We can pass a law, and then everybody will get along.'
